Toys In The Attic: No Really.
Forgive me, Aerosmith fans, for the unwittingly misleading headline, but I was in L.A. over the weekend and on the way out of town, we stopped by one of my favourite book stores, the venerable and perennially hip, Book Soup.
Of course, while I was there, I was happy to find that they had at least one copy of my 2007 book, It Ain’t Easy: Long John Baldry And The Birth Of The British Blues (Greystone/D&M).
The book is Toy Instruments: Design, Nostalgia, Music by Eric Schneider (Mark Batty Publishing).
I have always been interested in tiny, seemingly amateur instruments, particularly the electro toys of Japan, the 50’s and 60’s, or all of those combined. On a 2001 trip to Kyoto, I purchased this Hello Kitty Toy Shinkansen train that plays a selection of spoken word sentences, not music, but I play the short samples like as if it was a musical instrument.
And just this past winter, I was at Tower Records in Tokyo, where I saw this weird thing called an Otamatone.
But back to Toy Instruments,
According to the copy on the MBP website, Schneider’s book “comprises an eye-popping collection of musical toys made between the 1950s and 1990s. Created to excite children about learning how to play an instrument, it turns out that adults also had fun with these products. Just ask David Bowie; he used the Dubreq Stylophone on “Space Oddity.”
Apparently Mr. Schneider has a huge collection of this sort of thing, and according to the blurb, Toy Instruments explores “just how musical toys are emblematic, and enigmatic, artifacts from bygone eras. Here’s a little collage of three of them from Schneiders personal website museum [http://www.miniorgan.com/home.php].
Here are some other screen grabs I made from Miniorgan.
The Michael Jackson Sing-A-Long Sound Machine:
In his introduction to Toy Instruments, DJ Spooky writes, “I think of the material that Eric Schneider has compiled as a kind of ‘object’ time machine, reaching back to the heart of what electronic music represented when it was new.”